Thursday, March 10, 2011

Do you like your dragons evil?

Today's guest speaker is award winning author, Jane Toombs.
 
Thank you Jane for taking the time to blog for me.


The first time I used a dragon in a book, he was a weredragon. and evil. So determined to possess a child he knew had psi powers that he arranged an accident for her father and then married her mother, who also conveniently died after she'd named him as guardian. I pictured him in human form as being hypnotically persuasive and also being able to sense the presence of others.  Since he lived in Canada I used an old Canadian legend to explain his evil.  
Because he was able to become a dragon, I felt he needed to be tall and slender, but very strong.  I chose green for his dragon color because of French legends about an evil  green dragon.   The book was Lover's Moon, published by Kensington and it won the 1998 Prism Award for dark paranormal. ( given by the Fantasy, Futuristic and Paranormal Chapter of RWA.)  Amber Quill Press reprinted the book in electronic and print after I got the rights back, changing the title to my original one, Moondark .
The second time I used a dragon, he was also green.  He'd been created by a mage, in the first of my Temple Of Time books, Forbidden.  He was supposed to be a phantasm, but the sorcerer was stronger than he knew (actually in this book I used the Welsh for dragon--draig).  Vorst not only became a real dragon, but the hero of the next book, Forlorn.  This time I knew why he was green and had amethyst eyes.  Because I'd purchased such a dragon at a Lunacon from one of the venders who made them.  I used to take him to cons with me, perched on my shoulder.   But in the book, Vorst had a real problem because he fell in love with Wilda, a human female. He was not a weredragon, but a real one.  How could they ever be happy together? Hey, it wasn't easy.
For a long time I'd an idea for a trilogy featuring weredragons.  I first saw it as a  historical, then changed to contemporary, but I never wrote it.  In January of 2010, I made a New Year's resolution to finish the first book in every series I'd ever outlined.  I chose Darkness of Dragons Trilogy and started the first book Dragon's Pearl.  As soon as I finished it, I queried an epub, Devine Destiines, who not only took Dragon's Pearl, but wanted the other two, still unwritten.   So Dragon's Diamond followed, then the third, Dragon's Stone. This trilogy features the evil and supposedly immortal Black Dragon, a threat to mankind. I needed heroes for the three book who could bind him into his lair.  So they had to be weredragons.  Again tall and slender, but very strong humans who could be mesmerizing.  One was golden, the next silver and the in the final book, there were two weredragons. In dragon form one was red, the other white like the Welsh dragons of the past.  I used mythology and legend in these books.
I haven't written my next dragon book yet, but it's about a turquoise dragon who is an unwanted color.  And he does remain a dragon.  I plan to call it The Turquoise Dragon.
A man with a dark side, in love with a woman. A woman with her own worries, who barely tolerates him. The pair are thrown together to perform the impossible task of dealing with the evil and immortal Black Dragon—their only ally a Siamese cat. A puny trio facing impossible odds. Especially when the man’s dark side manifests itself and turns him into a danger to his own allies. Their other adversary, a witch, who is on the dragon’s side, adds another complication to an already seemingly hopeless task. How can this man control his dark side, convince the woman to love him and seal the dragon’s fate?
 
A man regains consciousness lying naked on an isolated beach. He remembers only his first name. He doesn't recognize his surroundings, nor recall who he is. More dangerous, he doesn't know what he is--or that the fate of mankind rests on his remembering…
 
 Centuries ago, Merlin stole forbidden magic from the immortal black dragon to try to save King Arthur. To prevent the dragon from exterminating mankind in retaliation, Merlin set wards that forced the dragon into the depths of a mountain cave in Wales. But wards fail with time. To prevent the dragon from escaping, one of Merlin's blood and another of dragon's blood, plus a third, must reset the wards as they weaken. When the last of Merlin's blood and the last of dragon's blood left Wales for America, the evil within the dragon came, too. He is now tethered in the depths of an abandoned copper mine in Michigan's Upper Peninsula. But the wards are failing and those who must reset them aren't aware of their duty. If this evil isn't contained chaos will be let loose. And time is running out…



Stop by Monday and find out how Don Martinez tells us how he came up with his dragons.

Tuesday, March 8, 2011

They're just so...dragonish!


Today it is my pleasure to have Katie MacAlister guest blogging about her dragons. 

I know she was drowning in deadlines, yet she took time out of that busy schedule, to blog for me. Thank you so much, Katie.



It’s hard for me to pinpoint the exact moment of inspiration for writing my dragon series—I do remember that in the spring of 2003 I had just finished one of my Dark Ones novels, and itched to do something different, something that no one else was yet doing in the world of romance. I also wanted to do something that was absolutely not happening at that time in romances—a story arc with the same hero and heroine carried over several books. No happily ever after at the end of a book? What the heck?

I’m such a troublemaker.

I knew that the characters were going to have to be extremely strong and vibrant in order to pull that off, and instantly, the idea of a dragon in human form came to mind. I’ve often said that Drake Vireo leapt fully formed from my brain to the page at that moment, and that’s really the truth—he swaggered into existence complete with non-traditional, anti-hero personality, a profound love of gold, and an infuriating (to him, anyway) fascination with a mortal named Aisling Grey.



When I wrote that first dragon book, You Slay Me, I didn’t know much about my dragons. I had a vague idea of there being four dragon septs, each named for a color, and each with a symbolic element. I also know that the dragons were naturally arrogant, loved anything that even remotely smelled of treasure, and were beyond sexy into the land of steaming your toenails.

As I wrote You Slay Me, the dragon lore started to gel in my brain. I drew elements of the mythos from traditional dragon lore—they hoard treasure, can breathe and control fire, and they most certainly are not human—and included it into an exotic world that made up of the weyr, a collection of all the dragon septs. I gave each sept a wyvern as a leader, and pulled on various other elements of history and mythology to flesh out the weyr, particularly with respect to the dragons’ interaction with humans over the centuries.

I was a little nervous as to how my readers would react to something so different from what was then being published in the paranormal romance world, but was thrilled when it turned out my readers loved the arrogant, bossy dragons just as much as I did. Whew!

There are more dragon books planned for the future. I’m about to dive into the tenth dragon novel, the last in three-book story arc, after which I’ll continue on with the remaining septs. Someone asked me once if I had a finite number of books for the dragons, and I’m thankful to say that the answer is no—I love them too much to ever stop writing for them. They’re just so...dragonish!

COMING: May 3rd 





Sunday, March 6, 2011

Here Be Dragons

Today my guest blogger is author Deborah Cooke.  Thank you so much Deb for taking the time  to guest blog for me.
 
It’s always interesting to be asked about the source of my ideas, mostly because ideas tend to sneak up on me. I’m not sure exactly where they come from, or what makes them spark, or what makes one idea more likely than another to turn into a published book – much less a linked series. I have a lot of ideas and I love them all.

But dragons have always held a tremendous appeal for me. I read THE LORD OF THE RINGS repeatedly as a teenager – “obsessively” might be a better choice of word – and one of the characters who most intrigued me was Smaug. I loved the Tolkien calendars illustrated by the Brothers Hildebrandt, but when Smaug was the illustration of the month, the page tended to not be turned on time. And Smaug started me on a journey, hunting dragon lore and reading stories about dragons wherever I could find them.

There are lots of stories about dragons and I’ve always liked that they had such extensive roots in mythology. I like how dragons look. I like how ferocious and protective they are. I like to imagine them fighting each other, maybe in a night sky filled with stars. I love that they are fond of solving riddles – dragons aren’t fools, usually – and that they are known to be particularly perceptive. Once I became a romance writer, it seemed to me that if the hero of my romantic dreams was going to be a shapeshifter, then he should shift to a dragon. Powerful. Loyal, Ferocious. Passionate. Mysterious. And gorgeous in both forms. What was not to love about that?

When I created the world of the Dragonfire novels, I needed to build a mythology and dragon society – so those yummy heroes would be a part of something bigger than just their personal concerns. Their mission needed to be timely and they needed to be confronting a crisis. I decided that my dragon shifters – the Pyr – would be an ancient species, one that had once mingled with humans and thus were the root of our stories about dragons. In Eastern mythology, dragons control rain. So, my dragons are the custodians of the earth and the guardians of the four elements. They have hoards, of course, but their most important treasure is the planet itself. Humans nearly hunted the Pyr to extinction in the Middle Ages in the Pyr world, and the Pyr had hidden themselves from us at that point, living secretly amongst us. This caused a division in their kind: subsequently there were true Pyr, who counted humans among the treasures of the earth to be defended, and Slayers, who believed that humans had to be eradicated in order to protect the earth. This argument about the fate of humans has pitted Pyr against Slayer, and the current astrological phase – called the Dragon’s Tail and a time of karmic balancing – is the time of the final battle between Pyr and Slayers for ascendancy.

The Dragonfire novels are romances, so I needed a role for humans in the dragon shifter world. The Pyr mate with human women, but each has one destined mate, the only woman who can conceive his son. His encounter with that woman is marked by “a firestorm”. Literally, sparks fly between the two, and the firestorm burns until their relationship is consummated. According to Pyr lore, the woman conceives the Pyr’s son the first time that they have sex. (The heroines in these books are justifiably skeptical of this claim. I like the juxtaposition of a Pyr explaining mythology to a very pragmatic modern woman. Those scenes are always fun to write.) The heat of the firestorm can be felt by all other Pyr and Slayers, so it generally attracts both attention and interference – Slayers see the human mate as a vulnerability to the Pyr and tend to attack. I also enjoy having each Pyr need to seduce the woman destined for him, persuade her of that destiny, explain his own reality, and kick butt against Slayers at the same time. There’s a lot of action in these books.

There is also dissent within the Pyr as to how a firestorm should be handled. There are those who believe that conceiving the son is the whole point, and others who are convinced that the firestorm offers each Pyr to make a partnership that will make him stronger. Each Pyr has an affinity to two of the four elements, and his destined mate has an affinity to the other two. When they form a permanent union, the whole is stronger than the sum of the parts. Many of the Pyr  heroes have to confront the notion of their own vulnerability – not an easy concept for a dragon shifter! – during the course of the firestorm. In this world, a Pyr loses a scale when he loves someone, and only that person can ensure that the point of weakness is repaired. Of course, that realization of love tends to come just as the fighting gets intense!

Beyond that, there are traditional roles in the Pyr which I explore in individual books. For example, Quinn, the hero of KISS OF FIRE (http://www.deborahcooke.com/fire.html) was the Smith, who can repair the armor of his fellow dragons. He’d decided that he was done with his fellow dragons and had become a loner – bringing him back into the Pyr fold was an important mission at the beginning of the Dragon’s Tail wars, and one that Sara helped to accomplish. Rafferty, the hero of DARKFIRE KISS (http://www.deborahcooke.com/dark.html), is the grandson of the Cantor. While Rafferty can sing to the earth – because of his affinity with it – and provoke its response, he never wanted to learn about his grandfather’s ability to enchant. His firestorm – and Melissa’s influence – compels him to come to terms with his abandoned legacy. Each book focuses on a specific niche of Pyr and dragon lore – I love having the chance to dig into a whole new area of dragon stories in each book.

And then there are those sons. The dragon shifter ability passes through the male line, and the Pyr generally have sons with their mates. There is, however, one female dragon shifter in this world at any given time. Called the Wyvern, she tends to be reclusive, a prophetess, and has additional powers beyond those of the guys. She’s regarded with a kind of awe – for centuries, the Pyr never even saw a Wyvern.

Spoiler alert here for those who haven’t read the series! 

 
In KISS OF FATE, the third Dragonfire book, Sophie, the current Wyvern dies. The child conceived in that firestorm turns out to be a girl, Zoë. So, there’s a new Wyvern in the Pyr world, but she’s only a little girl. The male Pyr come into their powers at puberty, so I thought it would be fun to explore Zoë’s coming of age. That led to my new spin-off YA series, called The Dragon Diaries. (http://www.thedragondiaries.com) In this trilogy, beginning with FLYING BLIND in June, Zoë starts to come into her powers, but has no one to ask about how to use them or what to expect.  At the same time, the Pyr are faced with a new threat, one that the old guard don’t take seriously – and one that targets the next generation of dragon shifters. 


Dragonfire is evolving into a long linked series, which is a huge amount of fun for me. I’ve no shortage of dragon stories to explore. Currently there are eight Dragonfire books contracted – DARKFIRE KISS, coming in May, is #6 -  and one short story has been published digitally, as well. Then there are the three YA books, that series launching in June with FLYING BLIND. The Dragon Diaries continues in December with WINGING IT, then book three will be out in June 2012. You can read more about both series on my websites.

So, tell me, do you love dragons? If so, why?


Deborah Cooke (http://www.deborahcooke.com) has always been fascinated with dragons, although she has never understood why they have to be the bad guys. She has an honours degree in history, with a focus on medieval studies. She is an avid reader of medieval vernacular literature, fairy tales and fantasy novels, and has written over forty romance novels and novellas. In October and November 2009, Deborah was the writer in residence for the Toronto Public Library, the first time that the library has hosted a residency focused on the romance genre. Deborah has also been published under the names Claire Cross (http://www.clairecross.com ) and Claire Delacroix (http://www.delacroix.net).

Deborah makes her home in Canada with her husband. When she isn't writing, she can be found knitting, sewing or hunting for vintage patterns.

Make sure you stop by Wednesday when Katie MacAlister tells us how she conceived her dragons.